Helping to set the tone with temporary music, taking down director’s notes, or even creating “new” music from various elements the composer’s already recorded, the editor ensures the battle will be won, or at least make it to safety in some semblance.
Of the multitudes needed from positions ranging from programmers to orchestral contractors and music mixers, a vital, if often unsung rank belongs to music editor. If the art of composing is akin to being a general following creative orders dictated by the director, then that bigger budget leader must have a stalwart support staff who knows the specific troops need to be recruited, how said formations need to be maneuvered, what equipment is necessary to win the battle.
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