Probably knowing that this would be their last shot, they returned to the more progressive fold of their debut album, but created a full-blown concept album that stood the test of time. This is the album that saw Rick Davies' rise as full-blown singer and his baritone vocals contrasts heavily with Hodgson and Helliwell's soprano voices, thus making this unique and instantly recognizable Supertramp sound. Benberg) on drums and this would become the classic line-up of the group for years to come. They also hired Bob Siebenberg (later Bob C. The duo hired two ex-The Alan Bown! members: saxman and free-electron John Anthony Helliwell who had a high-pitched voice very similar to Hodgson's and the excellent bassist Dougie Thompson, whose bass would quickly become a very important element of Supertramp's new sound. The sweetest of all the crimes of any century.Īfter their mentor and 's abandon, Hodgson and Davies had to re-start Supertramp all over from scratch, with the only assurance of a recording contract with their label A&M. Richard Hewson / string arrangements Releases informationĪrtwork: Paul Wakefield with Fabio Nicoli (Art Direction)ĬD A&M Records - CDAMLH 68258 (1984, Europe)ĬD A&M Records - AMLX63647 (1986, US) Made in JapanĬD Mobile Fidelity Sound Lab - UDCD 505 (1987, US) Remastered (?)ĬD A&M Records - 069 493 346-2 (2002, US) Remastered by Greg Calbi and Jay MessinaĢCD A&M Records - 0600753307885 (2014, xW) Remastered by Ray Staff w/ bonus disc (Live 1975) Christine Helliwell / backing vocals (3) John Anthony Helliwell / saxophones, clarinets, backing vocals
Roger Hodgson / lead & backing vocals, guitar, pianos Richard Davies / lead & backing vocals, keyboards, harmonica Live at Hammersmith Odeon March 9th 1975
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